备注:已完结
类型:纪录片
导演:吉加·维尔托夫
语言:其它
年代:未知
简介: 本片是苏联纪录片导演,“电影眼”理论的创始人吉加•维尔托夫(Dziga Vertov)的代表作。电影主要拍摄于乌克兰的敖德萨市,摄像师是维尔托夫的哥哥米凯尔•卡夫曼(Mikhail Kaufman)。影片主要分观众入席、城市黎明、人民的工作与休息、体育运动和艺术实践几部分,通过刻画人民生活的方方面面来呈现苏维埃新社会中的一个理想城市。摄影师米凯尔•卡夫曼在拍摄的同时也出现在电影画面中,首创了“自我暴露”的电影形式。在这部具有里程碑性突破意义的纪录片中,维尔托夫首次使用了二次曝光、快进、慢动作、画面定格、跳跃剪辑、画面分割等前卫剪辑手法,并采用了仰角、特写、推拉镜头等新颖的拍摄手法,并制作了一段定格动画。
备注:已完结
类型:爱情片
主演:科琳·格里菲斯 维克特·凡科尼 H.B.沃纳 伊恩·基思 玛丽·杜丝勒
导演:弗兰克·洛伊德
语言:英语
年代:未知
简介: 查理(伊恩·基思 Ian Keith 饰)爱上了厨师的女儿艾玛(科琳·格里菲斯 Corinne Griffith 饰),然而,这段感情是注定不会受到众人的祝福的,为了避免东窗事发,查理将艾玛送到了自己的叔叔汉密尔顿(HB·沃纳 H.B. Warner 饰)家。 没过多久,艾玛就识破了查理的谎言,明白自己其实是被后者无情的抛弃了。绝望和愤怒之中,她决定嫁给一直对自己很好的汉密尔顿,可是这段仓促的婚姻很显然并不能给艾玛带来真正的幸福。一天,艾玛结识了名为尼尔森(维克特·凡科尼 Victor Varconi 饰)的军官,为了能够让尼尔森在港口同拿破仑的军队交战,艾玛不惜抛头露面四处奔走,一来二去之间,两人相爱了。
备注:已完结
类型:剧情片
主演:Laura La Plante Montagu Love Roy D&
导演:保罗·莱尼
语言:英语
年代:未知
简介: A producer decides to reopen a theater, that had been closed five years previously when one of the actors was murdered during a performance, by staging a production of the same play with the remaining members of the original cast.
备注:已完结
类型:剧情片
主演:安妮·奥德拉
导演:阿尔弗雷德·希区柯克
语言:英语
年代:未知
简介:希区柯克又一部经典的悬疑惊悚片,讲述女主角正当防卫杀人后被人敲诈的故事,影片拍摄到后期时老板要求希区柯克把它改成有声片,希区柯克对部分场景进行了重拍加入声音,影片也因此成为英国第一部有声片,因此时大部分影院无有声设备,因此以默片和有声片双版本上映
备注:已完结
类型:剧情片
主演:Uno Henning Norah Baring Hans Adalb
导演:安东尼·阿斯奎斯
语言:其它
年代:未知
简介: Flashback story of an escape from the lonely, high-security Dartmoor Prison. A jealous barber's assistant is enraged by the attentions that his manicurist girlfriend pays to a customer. He threatens the customer with an open razor and lands in gaol.
备注:已完结
类型:剧情片
主演:Marfa Lapkina M. Ivanin Konstantin
语言:其它
年代:未知
简介: Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye". It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls. And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ). Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests. And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.